(032703) The film adaptation of Stephen King’s Dreamcatcher
introduces a new monster to the genre-the shit weasel and that somehow seems
appropriate for the overlong film.
The film mixes in psychic ability with goofy 50’s science fiction elements and
an old fashioned war movie. It seems that four life time friends (who have been
given psychic abilities by a mentally challenged friend that they saved from bullies) will
have to save the world from another in a long series of alien invasions. The
first friend we meet is Thomas Jane, a psychiatrist prepared to kill
himself before a phone call from Damian (Band of Brothers) Lewis, a guidance
counselor. Lewis is warned of danger by Jason (Stealing Harvard) Lee just before
a masterfully staged accident that we think kills Lewis but doesn’t. We jump
ahead six months and see the four together at a cabin in the woods. The fourth
character is car salesman Timothy (Go) Oliphant who we see use his ability to
find a lost pair if keys and freak out the woman who loses them.
After some male bonding that introduces parts of the story needed to keep it
going (a memory library where Lewis has to hide in later when he is possessed
and how they met Dudditz, the Donny Wahlberg) we get the bunch splitting up so
the action can start. While Jane and Oliphant are in town getting supplies Lewis
and Lee are out hunting. The hunters come across a man almost frostbitten to
death with a terrible gas problem. The two get him warm and fed before he goes
off to the can and we prepare for the introduction of the shit weasel. We don’t
see it right away since it comes out of the hunter as he’s on the can. Lee traps
it in the toilet while Lewis goes off to find duct tape (yes, it does have a
million uses). Of course, it gets out and kills Lee before Lewis tries to get
away from it only to be taken over when the alien behind all this gets all red
misty and enters his system and the results of that have him talking in a silly
English accent and calling himself Mister Grey. Meanwhile, the hunter’s
companion is squatting in the road so she can cause Jane and Oliphant to crash
leading to the birth of another shit weasel much later.
Morgan Freeman’s character is every lunatic military man we’ve ever seen in a
science fiction movie. He looks like an older, black version of Mr. Freeze with
this box haircut and gloriously bushy white eyebrows. The unit he commands has
the assignment of alien hunting. Tom Sizemore arrives to join the unit (and
listen to the awful dialogue Freeman is saddled with) and take over the job of
killing aliens. Freeman has the whole town quarantined as they study what’s
happening to the citizenry (most of which have these red splotches on their
bodies signaling the possible birth of new shit weasels) and is way out there
where the busses don’t run at this stage of his career.
Since Lewis is partially possessed (he is able to see what Grey is doing but
can’t stop most of it) Jane has to carry much (hell, all) of the action. He gets
back to the cabin and in a most effective scene discovers what has happened and
that the shit weasels lay eggs that hatch guppy version able to quietly enter
your body. From looking at him here we can see him playing the Punisher
relatively well after dying his hair.
There is another effective scene showing Freeman and company discovering and
destroying the crash site of the aliens. It’s about at this point that you
realize director Kasdan is tossing you these scenes to distract you from the
shakiness of the plot. These are a bunch of little alarm clocks that serve the
purpose of waking you up and slow down the part of your brain that goes, “Wait,
if this happens then how?”
It all comes down to a big ass showdown involving all the characters that have
survived up to this point. You get Sizemore, Freeman (in a helicopter trying to
kill Sizemore), Jane, Lewis and Wahlberg (saddled with makeup so bad most of the
audience I saw it with laughed whenever he appeared on screen) at a reservoir
trying not to get any more embarrassed. They tell us that if one guppy gets into
the water supply then the whole world will be infected. We get Grey and another
alien (only the really enfeebled won’t guess who the other alien is) beating the
crap out of each other while the guppy slowly moves towards the water before the
movie ends and we try to shake off the cobwebs so we can get out of the theater.
This movie is massively dumb. Freeman’s nuts but he’s commanding a unit that has
enough firepower to flatten Maine. We don’t know why Grey has an English accent.
We don’t know how one of the characters came to be an alien. We don’t know what
the aliens want. We don’t know how they get into our bodies and why they come
out of our asses when they are fully grown. What we get is part of a book but
it’s the part that doesn’t explain anything that happens when a camera isn’t
turned on. William Goldman and Lawrence Kasdan know better or once did. Do you
know what the best part of Dreamcatcher is? It’s the Matrix short in front of
it, all seven or so minutes of it. After that it’s about thirty minutes of good
stuff surrounded by an hour and forty minutes of crap.
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Directed by:
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Lawrence Kasdan |
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Written by:
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William Goldman, Lawrence Kasdan, Stephen
King. Based on a novel by Stephen King. |
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Starring:
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Morgan Freeman, Thomas Jane, Jason Lee |
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Rating:
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Rated R for violence, gore and language |
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DREAMCATCHER © 2003 Warner
Brothers Film
All Rights Reserved
Review © 2024 Alternate Reality, Inc. |
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