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At the turn of the millennium a cinematic movement arose that sent shockwaves
through the world of horror. This Japanese based movement is called J-Horror and
it's often focused on more psychological themes than American horror. It also
breaks down the wall between the supernatural and technological and combining
the two. One common trope of these films is havening supernatural beings
captured on video. Some of the major films in this movement have include "Ju-On",
"Pulse", and "Ringu", all of which have had American remakes.
One of the major manga horror creators who is associated with the movement is
Junji Ito whose haunting stories have been commonly adapted in every type of
media. He is a superstar in his native Japan, but he is still only a cult
favorite in the United States. His graphic novel Uzumaki was nominated for but
failed to get an Eisner Award in 2003. He later did received three Eisner Awards
including one for his adaptation of Mary Shelley’s Frankenstein, Volume 16 in
the Junji Ito Horror Comic Collection. His work, like the majority of manga, is
in black and white and some of his fans have criticized his anime because they
claim his style cannot be captured in color.
To expand his American audience (and make money) Netflix recently released a
mini-series containing twelve shorts all based on his works: Junji Ito Maniac:
Japanese Tales of the Macabre. Some of the features
adapted Ito's manga material and some are created new by him for this anime. The shorts are all done in classic anime style and they are all under half an
hour however they all are not strictly independent of each other, with some
overlapping or continuing into the next. They have all fascinated me and I have
been watching them over and over in a loop since I stumbled upon the series last
year. The series is produced by the Chinese based Studio Deen which is best
known in the USA for producing Star Wars: Visions.
One of the most popular stories by Ito that was adapted here is titled “Tomie’s
Photos.” It concerns a vampire or succubus like female teen named Tomie who
casts an irresistible spell over all the males she encounters. She is Itami’s
most popular character and she also appeared in her own series and real-life
film franchise. In the episode she goes after a fellow female student who takes
photos of boys without their knowledge. But the student captures a shot of
Tomie’s true horrific appearance and she seeks retribution.
Some of the other episodes are not as remarkable, but most are also memorable
and chilling. The opening episode is a humorous effort titled: “The Strange
Hikitizui Siblings” which almost seems to be riffing off the Adams Family (the
younger boy looks like a demented version of Pugsley). In it a “spirit
photographer” who is trying to photograph ghosts of drowned children meets a man
who leaves his family to go to work every day even though he does not have a
job. She then encounters a creepy family who live in the vicinity in which many
people disappeared. Eventually the family has a séance using the stranger as an
anchor and of course it goes awry. “The Thing that Drifted Ashore” is about a
sea creature who washes up on the beach and may have been responsible for a
series of deaths. There is also a disturbing vignette about a young female who
regrets torturing her brother when she was younger and tries to make up for it.
In another episode a seemingly innocent little girl who is a mass murderer
(echoing The Bad Seed) is haunted by the shadows of the men she killed.
Sometimes the vignettes do not make total sense, but they express primal fears
and explore the irrational producing unforgettable nightmare images. In one
short, “Headless Statue,” a sculptor known for doing headless statues is found
by two of his students with no head then his statues come to life and try to
take off his student’s heads so they can put them on their bodies.
The best of all is “Hanging Balloon” a short horror masterpiece that rivals some
of the best recent animated films such as
Suzame,
Spiderman into the Spider-verse
and
My Year of Dicks. The animation and
storytelling is as disturbing as anything I have seen on TV for years, and it
has a most shocking concept. A group of demonic balloons appear in a town that
resemble living people and they torment their real-life counterparts and either
kill them and/or get them to commit suicide. Whenever someone leaves their house
and goes outside the balloon bearing his image is waiting to strangle him with
its string.
Like, many anthologies this one is a bit uneven but the overall quality is quite
high. It is superior and more imaginative than many recent live-action horror
shows like the American Horror Story (especially its most recent season) and
Guillermo’s Del Toro’s Cabinet of Curiosities, both of which can also be found
on Netflix. Junji Ito Maniac: Japanese Tales of the Macabre is as creative,
stylish, and entertaining as any other horror show currently on TV.
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Episodes Directed by:
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Shubo Tagashira |
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Episodes Written by:
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Kaorti Sawada |
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Starring the Voices of:
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Riho Sugiyama, Daisuke Kishio, Rie Suegara |
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Length: |
The Season is made up of 8 episodes, 25 minutes
each |
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Rating:
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MA for language, smoking and violence |
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Available On:
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At press time the series was streaming on Netflix |
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For more
writings by Vittorio Carli go to
www.artinterviews.org and
www.chicagopoetry.org.
His latest book "Tape Worm Salad with Olive Oil for Extra Flavor" is also
available.
Come to the New Poetry Show on the first Saturday of every month at Tangible
Books in
Bridgeport from 7-9 at 3324 South Halsted.
This is now a monthly show featuring Poetry/Spoken Word, some Music, Stand Up
and Performance Art and hosted by Mister Carli. For more information e-mail:
carlivit@gmail.com for details
Upcoming features at the Poetry Show:
May 4-Jose Bono, Rich Experience, Don Hargraves, and Madeline Smith
June 1-Shirley Buck and Estenia Bunuelas
July 6-Mary Hawley and Mike Puican
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Junji ITO MANIAC: JAPANESE TALES OF THE MACABRE ©
2023 NETFLIX
All Rights Reserved
Review © 2024 Alternate Reality, Inc. |
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