The Best Films so Far in a
Weak Year |
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(071319)
It has not been the best year for cinema. Many of the movies I saw so far this
year were flawed, and I think I only rated three films four stars in my reviews.
There is always the possibility I underrated some of them (Cold
War was probably better than I originally thought.)
But there was lots of great acting. Some of the more remarkable performances
included Matt Dillon playing against type in
The House
that Jack Built; Matthew McConaughey, as a delightfully
destructive drunk in
Beach Bum; Mattihas Schoenaert as a
psychologically
tortured prisoner in
Mustang; Tom Servillo as a corrupt Italian
politician in Loro (I am tempted to say I am being redundant); and the always
superb Willem Dafoe, who played a poet with a death wish in Pasolini.
I also loved the chemistry between Isabelle Huppert and Chloe Grace Moretz in
Greta, although the film itself was largely lackluster and forgettable. Joanna
Kulig was marvelously engaging in
Cold War, and the film itself (her first
pairing with the brilliant film maker, Paweł Pawlikowski) is almost perfect.
Speaking of distinguished directors some fine filmmakers put out new works this
year including Martin Scorsese (Rolling
Thunder Review: A Bob Dylan Story), Werner Herzog (Meeting
Gorbachev), Lars Von Trier (The
House that Jack Built), Gaspar Noe (Climax), Jean-Luc Godard (The
Image Book), Paul Sorrentino (Loro), Claire Denis (High Life), Jordan Peele (Us),
Bruno Dumont (Coin Coin and the Extra humans,) and Abel Ferrara (Pasolini). If
you want to read my face to face interview with Ferrara from the early 2000’s,
go to
https://www.artinterviews.org/cinema/abel-ferrara-interview.
Finally, there was even an exquisite new work from 70’s superstar director.
Sydney Pollack, whose work
Amazing Grace (shot in 1972) was finally
released.
However, the overall direction job that impressed me the most was by the
newcomer, Joe Talbot, whose poetic debut,
The Last
Black Man in San Francisco slowly snuck up on me, and left me
with a lingering sense of loss. Laure de Clermont-Tonnerre’s (also a new film
maker) direction in
Mustang was almost as impressive.
In terms of genre films the wrestling family comedy, Fighting with the Family
was the biggest delight and surprise (I was almost going to skip that one but I
caught it on Redbox), but the superhero/comic films,
Alita: Battle
Angel,
Avengers Endgame,
Captain Marvel,
Shazam,
and
Spiderman: Far from Home all delivered the goods and managed to
live up to some of the advanced hype. I wish I could say the same about
Godzilla: King of the Monsters.
Now here is my top ten film list followed by honorable mentions. Most of the
runner-ups would probably get three stars from me, but a few would merit three
and a half stars.
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1)
The Last Black Man in San Francisco
Director-Joe Talbot,
(For Full Review click the icon)
The Last Black Man in San Francisco- Lovely, beautifully
shot drama about a man who wants to buy back the dream house
that his grandfather allegedly built that the family
subsequently lost. The main character is really the
underbelly of the city with all its skateboarders, homeless
people and street preachers. This films masterfully explores
the themes of race, poverty, and failed dreams. |
2)
Loro
Director-Paolo Sorrentino
Stunningly well-acted and quasi-sympathetic epic biopic (it
was originally over 4 hours but an hour was cut) featuring a
stunning performance by Tom Servillo as the lecherous and
corrupt Berlusconi who might remind you of a current
American political leader. Directed by the gifted Fellini
influenced Italian filmmaker Paul Sorrentino who is on a
winning streak with this film and Il Divo (2008), The Great
Beauty (2013), and the Oscar nominated Youth (2015). Now
that Ermanno Olmi is dead, Sorrentino may be the greatest
living film maker in Italy. In Italian, Japanese, Spanish,
and Chinese with English subtitles. |
3)
Cold War
Director-Paweł Pawlikowski,
(For Full Review click the icon)
Engaging and poetic film that takes place in post WWII
Poland. The story concerns a romantically involved
bandleader and younger singer who think it is their mission
to conserve native Polish folk music and dance, but they
encounter resistance
in the new Communist regime that want to transform their
work into propaganda. The dance sequence is marvelous, and
the ending is surprising and unforgettable. In Polish with
English subtitles. |
4)
The House That Jack Built
Director-Lars Von Trier,
(For Full Review click the icon)
The House that Jack Built-Matt Dillon (yes the one from The Outsiders) stars as
a serial killer who constantly wrestles with his subconscious (Bruno Ganz in his
last role) and thinks of murder as an art form. Lars Von Trier’s work is a
shockingly violent
and surprisingly iterate feature is either the goriest art film ever (at least
since Pasolini's Salo) or the most intelligent slasher film ever made. With some
great cameos from Uma Thurman, and Elvis's granddaughter, Riley Keough (a rising
Indy film star.). |
5)
Beach Bum
Director-Harmony Korine,
(For Full Review click the icon)
Infectious dark comedy about a talentless, sub literate poet (but he and
everyone else seems to think he is a genius) who is determined to destroy his
life and everyone around him with his out of control drug and alcohol use. Ultra
transgressive film maker and former skateboarder/drug addict Harmony Korine (who
also made Trash Humpers and Spring Breakers) has created a remarkable piece of
nearly plot less subversive art which may contain Matthew McConaughey’s best and
possibly least commercially successful role. Snoop Dogg is delightful playing a
minister who is sleeping with the poet's wife, and even Jimmy Buffett has a
cameo. |
6)
The Mustang
Director-Laure de Clermont-Tonnerre,
(For Full Review click the icon)
The Mustang- A felon (played by Matthias Schoenaert in
one of the year's most riveting performances) who is on death row for killing
his wife struggles to keep his violent anger and despair in check. He is
alienated from almost everyone except his pregnant daughter who is probably
stringing him along so she can get the family home to sell. He starts training
horses in a prison program and unexpectedly he begins to connect with one of the
mustangs giving his life some meaning. However, his road to redemption will be a
rocky one. |
7)
Coincoin and the
Extra-Humans
Director-Bruno Dumont
This comedic sci-fi film (the second film in a trilogy) is
about a buffoonish detective (he accidentally solves crimes sometimes) who
investigates cases in a town thatr is almost as quirky as Twin Peaks, Big globs
of extraterrestrial matter fall begin to fall from the sky which begin to
control people ( this reminds me of Meatball, an early Zap comics cartoon by
Robert Crumb with a similar premise). This clever and unique film is like a
weird cross between Columbo and Invasion of the Body Snatchers. It also comments
on and satirizes the current global anti-immigration hysteria. In French with
English subtitles.
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8)
Climax
Director-
Gaspar Noe
Radical Argentinian director, Gaspar Noe's film starts
deceptively upbeat. then takes a sinister turn in the second
half. A group of talented and extremely attractive young
dancers go to a recital that turns into a fabulous party.
The characters (mostly played by non-acting dancers)
improvise terrific dance moves which reaffirm the joy of
life. Then in the second half someone puts acid in the
punch, and many of the formerly angelic dancers begin to
brutalize each other which brings up the question which is
the real them?? Some of the second half is shot upside down
or sideways to knock the audience off balance (Noe’s earlier
film, Irreversible uses the same techniques). In addition,
the film's credits appear in the middle plus the director
interrupts the
narrative to put words on the screen just like his idol,
Jean Luc Godard. The first half and middle of the party
reminded me of a few gatherings of the Under Shorts film
group I attended in the early 2000s. Not for all or perhaps
most tastes. In French with
English subtitles. |
9)
Amazing Grace,
(For Full Review click the icon)
Director-Sydney Pollack
Terrific documentary about a two-day period when the former
gospel singer Aretha Franklin went back to a church to
record an all-spiritual album. Famous guests include
Reverend Cleaveland, Mick Jagger, and Keith Richards.
Aretha's performance is hypnotic, powerful and glorious and
the album she recorded ended up being the best selling
gospel LP ever. The only reason why this is not higher is
that with two days of footage they should have given us more
than an 80-minute plus film. |
10)
The Sower
Director-Marine Franssen
During a war, all of the males in a village disappear (they
are either drafted, killed or imprisoned) and since the
females may never see another male, they agree that if one
becomes available they will share him. However, when one
appears troubles arise when one of the women falls in love
with him and vice versa. The opening reminded me of The
Beguiled (both versions), but the film goes in a completely
different direction. This is based on a real memoir but the
text was suppressed for many years. Based on a true story.
In French with English subtitles. |
FINALLY:
Honorable mentions (my way of cheating a few more titles in) You can think of these films as all
being tied for 11th Place.
Alita:
Battle Angel,
Avengers Endgame, Capernaun,
Captain Marvel,
Ether, Fighting with the Family, Float like a Butterfly, Greta, High Life, The
Image Book, Lajos: A Gypsy in Space, Love and Bullets, Meeting Gorbachev,
Minding the Gap,
Rolling Thunder Review: A Bob Dylan Story,
Shazam,
Spiderman: Far from Home, Touch Me Not, Two Deaths of Sam Cooke,
Take It Or Leave it, Tiger’s Milk, Whatever Happened to My Revolution?, Faces Places-(In French with English subtitles) The Death of
Stalin (U.K.), A Fantastic Woman-(A Chilean film In Spanish with English
subtitles), Ghost Stories (U.K.), Game Night, A Hustler's Diary-(In Swedish with
English subtitles), Mary and the Witch's Flower (In Japanese with English
subtitles or dubbed in English), Messi and Maude/ La Holandesa (Netherlands-In
Dutch with English subtitles), Parallel Places (this great alt music doc only
played once at the Chicago Underground Film Festival), The Villainess (South
Korea)
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FINALLY:
Hear Vito and JR discuss their Top Ten Films of 2018 at the Midterm in Episode 83 of The Alternate Reality Podcast....
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Vittorio Carli, who teaches at area community colleges, a former film reviewer
for The Star,
www.reelmoviecrtic.com and The
Examiner, and is an avid science-fiction film fan.
For more writings by Vittorio Carli go to
www.artinterviews.org
and
www.chicagopoetry.org.
Look for his poetry book, Tapeworm Salad with Olive Oil for Extra Flavor. |
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EPISODE 83:
TOP 10 FILMS OF 2018 @ MIDTERM
(081318)
Discussion of the Best Films of 2018 at the
halfway point of the year |
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For more writings by Vittorio Carli go to
www.artinterviews.org
Images © Copyright 2019 by their respective owners
No rights given or implied by
Alternate Reality, Incorporated
Review © 2024 Alternate Reality, Inc. |
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