| 
 
The Best Films so Far in a 
Weak Year  | 
		 
		 
     | 
   
    
    
		
| 
 
 (071319) 
It has not been the best year for cinema. Many of the movies I saw so far this 
year were flawed, and I think I only rated three films four stars in my reviews. 
There is always the possibility I underrated some of them (Cold 
War was probably better than I originally thought.) 
 
But there was lots of great acting. Some of the more remarkable performances 
included Matt Dillon playing against type in 
The House 
that Jack Built; Matthew McConaughey, as a delightfully 
destructive drunk in 
Beach Bum; Mattihas Schoenaert as a 
psychologically 
tortured prisoner in 
Mustang; Tom Servillo as a corrupt Italian 
politician in Loro (I am tempted to say I am being redundant); and the always 
superb Willem Dafoe, who played a poet with a death wish in Pasolini. 
 
I also loved the chemistry between Isabelle Huppert and Chloe Grace Moretz in 
Greta, although the film itself was largely lackluster and forgettable. Joanna 
Kulig was marvelously engaging in 
Cold War, and the film itself (her first 
pairing with the brilliant film maker, Paweł Pawlikowski) is almost perfect. 
 
Speaking of distinguished directors some fine filmmakers put out new works this 
year including Martin Scorsese (Rolling 
Thunder Review: A Bob Dylan Story), Werner Herzog (Meeting 
Gorbachev), Lars Von Trier (The 
House that Jack Built), Gaspar Noe (Climax), Jean-Luc Godard (The 
Image Book), Paul Sorrentino (Loro), Claire Denis (High Life), Jordan Peele (Us), 
Bruno Dumont (Coin Coin and the Extra humans,) and Abel Ferrara (Pasolini). If 
you want to read my face to face interview with Ferrara from the early 2000’s, 
go to 
https://www.artinterviews.org/cinema/abel-ferrara-interview.
 
 
Finally, there was even an exquisite new work from 70’s superstar director. 
Sydney Pollack, whose work 
Amazing Grace (shot in 1972) was finally 
released.  
 
However, the overall direction job that impressed me the most was by the 
newcomer, Joe Talbot, whose poetic debut, 
The Last 
Black Man in San Francisco slowly snuck up on me, and left me 
with a lingering sense of loss. Laure de Clermont-Tonnerre’s (also a new film 
maker) direction in 
Mustang was almost as impressive. 
 
In terms of genre films the wrestling family comedy, Fighting with the Family 
was the biggest delight and surprise (I was almost going to skip that one but I 
caught it on Redbox), but the superhero/comic films, 
Alita: Battle 
Angel, 
Avengers Endgame, 
Captain Marvel, 
Shazam, 
and 
Spiderman: Far from Home all delivered the goods and managed to 
live up to some of the advanced hype. I wish I could say the same about 
Godzilla: King of the Monsters. 
 
Now here is my top ten film list followed by honorable mentions. Most of the 
runner-ups would probably get three stars from me, but a few would merit three 
and a half stars. 
   | 
		 
		
			
			
				
| 
 
 1) 
					The Last Black Man in San Francisco 
                    Director-Joe Talbot, 
(For Full Review click the icon) 
					The Last Black Man in San Francisco- Lovely, beautifully 
					shot drama about a man who wants to buy back the dream house 
					that his grandfather allegedly built that the family 
					subsequently lost. The main character is really the 
					underbelly of the city with all its skateboarders, homeless 
					people and street preachers. This films masterfully explores 
					the themes of race, poverty, and failed dreams.  | 
                 
                
| 
 
					 2) 
                    Loro 
                    
                    Director-Paolo Sorrentino 
                    Stunningly well-acted and quasi-sympathetic epic biopic (it 
					was originally over 4 hours but an hour was cut) featuring a 
					stunning performance by Tom Servillo as the lecherous and 
					corrupt Berlusconi who might remind you of a current 
					American political leader. Directed by the gifted Fellini 
					influenced Italian filmmaker Paul Sorrentino who is on a 
					winning streak with this film and Il Divo (2008), The Great 
					Beauty (2013), and the Oscar nominated Youth (2015). Now 
					that Ermanno Olmi is dead, Sorrentino may be the greatest 
					living film maker in Italy. In Italian, Japanese, Spanish, 
					and Chinese with English subtitles.  | 
                 
                
| 
 
 3)
                    Cold War 
                    Director-Paweł Pawlikowski, 
(For Full Review click the icon) 
                    Engaging and poetic film that takes place in post WWII 
					Poland. The story concerns a romantically involved 
					bandleader and younger singer who think it is their mission 
					to conserve native Polish folk music and dance, but they 
					encounter resistance 
					in the new Communist regime that want to transform their 
					work into propaganda. The dance sequence is marvelous, and 
					the ending is surprising and unforgettable. In Polish with 
					English subtitles.  | 
                 
                
| 
 
 4) 
The House That Jack Built 
Director-Lars Von Trier, 
(For Full Review click the icon) 
The House that Jack Built-Matt Dillon (yes the one from The Outsiders) stars as 
a serial killer who constantly wrestles with his subconscious (Bruno Ganz in his 
last role) and thinks of murder as an art form. Lars Von Trier’s work is a 
shockingly violent 
and surprisingly iterate feature is either the goriest art film ever (at least 
since Pasolini's Salo) or the most intelligent slasher film ever made. With some 
great cameos from Uma Thurman, and Elvis's granddaughter, Riley Keough (a rising 
Indy film star.).  | 
                 
                
| 
 
 5) 
Beach Bum 
                    Director-Harmony Korine, 
(For Full Review click the icon) 
Infectious dark comedy about a talentless, sub literate poet (but he and 
everyone else seems to think he is a genius) who is determined to destroy his 
life and everyone around him with his out of control drug and alcohol use. Ultra 
transgressive film maker and former skateboarder/drug addict Harmony Korine (who 
also made Trash Humpers and Spring Breakers) has created a remarkable piece of 
nearly plot less subversive art which may contain Matthew McConaughey’s best and 
possibly least commercially successful role. Snoop Dogg is delightful playing a 
minister who is sleeping with the poet's wife, and even Jimmy Buffett has a 
cameo.  | 
                 
                
| 
 
 6) 
The Mustang 
                    Director-Laure de Clermont-Tonnerre, 
(For Full Review click the icon) 
The Mustang- A felon (played by Matthias Schoenaert in 
one of the year's most riveting performances) who is on death row for killing 
his wife struggles to keep his violent anger and despair in check. He is 
alienated from almost everyone except his pregnant daughter who is probably 
stringing him along so she can get the family home to sell. He starts training 
horses in a prison program and unexpectedly he begins to connect with one of the 
mustangs giving his life some meaning. However, his road to redemption will be a 
rocky one.  | 
                 
                
| 
 
                     7)
                    Coincoin and the 
Extra-Humans 
                    Director-Bruno Dumont 
                    This comedic sci-fi film (the second film in a trilogy) is 
about a buffoonish detective (he accidentally solves crimes sometimes) who 
investigates cases in a town thatr is almost as quirky as Twin Peaks, Big globs 
of extraterrestrial matter fall begin to fall from the sky which begin to 
control people ( this reminds me of Meatball, an early Zap comics cartoon by 
Robert Crumb with a similar premise). This clever and unique film is like a 
weird cross between Columbo and Invasion of the Body Snatchers. It also comments 
on and satirizes the current global anti-immigration hysteria. In French with 
English subtitles. 
   | 
                 
                
| 
 
                     8) 
					Climax 
                    Director- 
					Gaspar Noe 
                    
					Radical Argentinian director, Gaspar Noe's film starts 
					deceptively upbeat. then takes a sinister turn in the second 
					half. A group of talented and extremely attractive young 
					dancers go to a recital that turns into a fabulous party. 
					The characters (mostly played by non-acting dancers) 
					improvise terrific dance moves which reaffirm the joy of 
					life. Then in the second half someone puts acid in the 
					punch, and many of the formerly angelic dancers begin to 
					brutalize each other which brings up the question which is 
					the real them?? Some of the second half is shot upside down 
					or sideways to knock the audience off balance (Noe’s earlier 
					film, Irreversible uses the same techniques). In addition, 
					the film's credits appear in the middle plus the director 
					interrupts the 
					narrative to put words on the screen just like his idol, 
					Jean Luc Godard. The first half and middle of the party 
					reminded me of a few gatherings of the Under Shorts film 
					group I attended in the early 2000s. Not for all or perhaps 
					most tastes. In French with 
					English subtitles.  | 
                 
                
| 
 
 9) 
                    Amazing Grace, 
(For Full Review click the icon) 
                    Director-Sydney Pollack 
                    
					Terrific documentary about a two-day period when the former 
					gospel singer Aretha Franklin went back to a church to 
					record an all-spiritual album. Famous guests include 
					Reverend Cleaveland, Mick Jagger, and Keith Richards. 
					Aretha's performance is hypnotic, powerful and glorious and 
					the album she recorded ended up being the best selling 
					gospel LP ever. The only reason why this is not higher is 
					that with two days of footage they should have given us more 
					than an 80-minute plus film.  | 
                 
| 
 
                    
                     10) 
					The Sower 
                    Director-Marine Franssen 
                    During a war, all of the males in a village disappear (they 
					are either drafted, killed or imprisoned) and since the 
					females may never see another male, they agree that if one 
					becomes available they will share him. However, when one 
					appears troubles arise when one of the women falls in love 
					with him and vice versa. The opening reminded me of The 
					Beguiled (both versions), but the film goes in a completely 
					different direction. This is based on a real memoir but the 
					text was suppressed for many years. Based on a true story. 
					In French with English subtitles.  | 
 
				
					| 
 
FINALLY: 
Honorable mentions (my way of cheating a few more titles in) You can think of these films as all 
being tied for 11th Place. 
 
Alita: 
Battle Angel, 
Avengers Endgame, Capernaun, 
Captain Marvel, 
Ether, Fighting with the Family, Float like a Butterfly, Greta, High Life, The 
Image Book, Lajos: A Gypsy in Space, Love and Bullets, Meeting Gorbachev, 
Minding the Gap, 
Rolling Thunder Review: A Bob Dylan Story,
Shazam,
Spiderman: Far from Home, Touch Me Not, Two Deaths of Sam Cooke, 
Take It Or Leave it, Tiger’s Milk, Whatever Happened to My Revolution?, Faces Places-(In French with English subtitles) The Death of 
Stalin (U.K.), A Fantastic Woman-(A Chilean film In Spanish with English 
subtitles), Ghost Stories (U.K.), Game Night, A Hustler's Diary-(In Swedish with 
English subtitles), Mary and the Witch's Flower (In Japanese with English 
subtitles or dubbed in English), Messi and Maude/ La Holandesa (Netherlands-In 
Dutch with English subtitles), Parallel Places (this great alt music doc only 
played once at the Chicago Underground Film Festival), The Villainess (South 
Korea) 
  
                     | 
				 
				
					| 
 
FINALLY: 
Hear Vito and JR discuss their Top Ten Films of 2018 at the Midterm in Episode  83 of The Alternate Reality Podcast.... 
                     | 
				 
                
					
| 
 | 
| 
 
Vittorio Carli, who teaches at area community colleges, a former film reviewer 
for The Star, 
www.reelmoviecrtic.com and The 
Examiner, and is an avid science-fiction film fan. 
 
For more writings by Vittorio Carli go to  
www.artinterviews.org 
and 
www.chicagopoetry.org. 
Look for his poetry book, Tapeworm Salad with Olive Oil for Extra Flavor.  | 
 
 
 | 
 
 
 | 
 
 
					 | 
				 
                
| 
 
 
   | 
    | 
		 
EPISODE 83: 
TOP 10 FILMS OF 2018 @ MIDTERM 
(081318) 
Discussion of the Best Films of 2018 at the 
halfway point of the year  | 
 
 
 | 
	             
				 
			 | 
		 
		
	
		| 
 
                    For more writings by Vittorio Carli go to
                    
                    www.artinterviews.org 
 
Images © Copyright 2019 by their respective owners  
No rights given or implied by 
Alternate Reality, Incorporated 
 
Review © 2024 Alternate Reality, Inc.  | 
	 
 
 | 
 
 
 | 
 
 
	 | 
		 
 
	 | 
		 
	 
     | 
   
 
 
 |