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| THE HUNTED (***) |  
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| Movie Review by: Larry "Bocepheus" Evans
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| Directed by: William Friedkin
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| Written by: David Griffiths, Peter Griffiths, Art Monterastelli
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| Starring: Tommy Lee Jones, Benicio Del Toro, Connie Nielsen
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| Running time: 94 minutes
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| Released: 3/14/03
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| Rated R
 for strong bloody violence and some language. |  |  
| "...there's one thing that 
Fugitive has that Hunted doesn't-a quality script." |  |  
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| 'The Hunted' has been compared with 'the Fugitive' 
and that may not be fair. The two films do have one man hunting one another. The 
two films do share the same hunter-Tommy Lee Jones. The two share some fine 
action sequences. But there's one thing that Fugitive has that Hunted doesn't-a 
quality script. 
 After hearing the words of Bob Dylan by way of Johnny Cash director William 
Friedkin starts the film in the past as Aaron (Del Toro) Hallam is on a mission 
in Bosnia with fellow Army Rangers. We watch him enter a compound with stealth 
and skill and observe him cooly take out his objective. The next time we see him 
(well actually hear him) he is taking out two hunters in the Seattle woods with 
only his bare hands and a cool knife.
 
 Tommy Lee Jones is introduced as effectively as he goes about his job helping 
the Park Service. He frees a trapped wolf then enters town to explain forcefully 
to the hunter who laid the trap to never do that again. When Jones returns to 
his cabin he is approached by an old friend who wants him to assist in 
discovering who butchered the hunters and since saying no would end the movie he 
agrees.
 
 As we see what Del Toro did to the hunters we meet Connie Neilsen in a small and 
eventually annoying role as an FBI agent working on the case as well. Jones 
tracks Del Toro down in an effective scene that ends in one of the first 
carefully blocked out fight scenes. There is a point here or in the later 
climactic scene that resulted in Del Toro hurting himself. The fights are close 
and quietly brutal with snap thrusts towards the targets. These sequences are 
the best in the film.
 
 It's at this point the film loses itself. We hear people telling us things that 
contradict what we have been told before. Del Toro isn't crazy but he's not same 
either. He's caught but we know he's going to escape (in another great 
sequence)and along the way we learn more about Jones' character. It's the last 
thing we learn about a few things.
 
 Friedkin and his editor do a wonderful job setting up the climax. During 
flashback sequences we see that Jones has shown his charges how to make knives 
in the field. The two locked in combat veterans prepare and eventually get it on 
in the best of the three times they lock horns.
 
 This is very much a guy's movie. Neilsen is wasted here. Apparently Paramount 
wanted a tight movie so they removed the bulk of the characterization needed to 
make us interested in anyone other than Jones. Walking out of the theater I 
wondered what I wasn't seeing and whether the DVD would enhance what could have 
been a great film but turned out to be just a good one.
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| THE HUNTED © 2003 Paramount 
PicturesAll Rights Reserved
 
 Review © 2009 Alternate Reality, Inc.
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