A Comprehensive Look at 2023
in Film |
|
(122823)
2023 will probably go down in the film history books as the year of "Barbieheimer"
because these two films so completely and unexpectedly dominated much of the
year’s box office and they did the unthinkable (which Marvel/Disney has largely
failed to do) in bringing back large groups of viewers back to the movie
theatres to see films on big screens. They also acquired near unanimous
widespread critical acclaim. Of the two
Oppenheimer was much more substantial
and it is one of the finest films by a major film maker. But it is much more
than a superb biopic, it is an almost perfect examination of how society and
government often use people for their own ends then throws them to the wolves
after their purpose is over (see Joan of Arc and Thomas Paine for other
real-life examples). Also, although it is over three hours, I wouldn’t cut a
minute. If anything, I wanted to see a longer version. I cannot say the same for
Killers of the Flower Moon
which is at least an hour overlong and suffers from
unnecessarily slow pacing. Somebody really needed to take a pair of scissors to
it. Although
Barbie
is more clever and visually
appealing and might inspire more good conversations, I thought it was merely
good, and it has more flash than substance, whereas
Oppenheimer is a
masterpiece.
I picked the Indy
Past Lives
as my best film of 2023 with the more traditional big budget crowd pleaser,
Oppenheimer being just edged out of
that top spot. Not
only does
Past Lives have a perfectly developed love triangle story that
everyone can relate to, but it also does a great job at representing the Korean,
Korean American and Anglo-American communities and it shows the tensions that
exist between them. The dialogue and characterization were so lovingly done that
it puts most of the other Oscar contenders and top ten candidates to shame
(including the over-hyped The Holdovers and the much better Maestro) which struck
me as something closer to generic Oscar bait films. Not only does
Past Lives
break ground with its cross-cultural exploration but it is the best Indy film of
the year by a long shot.
2023 was another year in the rapid decline of the comic book and graphic novel
film dynasty which may be in a death spiral. The few superhero films that worked
and/or did well financially (such as Spiderman: Across the Universe and
Guardians of
the Galaxy 3) followed their own idiosyncratic visions (at this
point I’d see anything by James Gunn.) and they could stand on their own. But
the films that didn’t work or do well like
the Flash,
Ant-Man Quantumania,
Captain Marvel: Rise of the Gods and
The Marvels
were merely the latest bland,
badly written generic, chapters in increasingly tiresome ongoing sagas. Also,
they were often ugly from a visual standpoint with terrible CGI although they
all cost small fortunes to make. But the best film adapted from a comic or
graphic novel by far this year was David Fincher’s terrific, spell binding
The
Killer currently streaming on Netflix.
It was also a fine year for animated films as a whole. In most other years
Spiderman: Across the Spiderverse would have easily been on my best films list.
But this year there were three superb, and better animated films (two of which
were from Japan) that I liked even better. They rivaled the best live action
films for Quality and creativity. They were
Suzame
and The Boy and His Heron,
but I also enjoyed
My Year of Dicks
(a short film in which every vignette
featuring a male is in a different animation style) and Nimoma, a glorious
gender bending film about a washed-up knight who fights evil with an amoral,
androgynous sidekick. The more family friendly and fun, Leo (on Netflix) had
Bill Barr and Adam Sandler voicing the parts of a tuatara and turtle in a story
of animals passing on their wisdom to grade school students.
It was also a decent year for sci-fi (or if you prefer speculative fiction
films) and genre films in general.
Godzilla: Minus One
was one of the best in the series, and
Creator was a thoughtful adventure film
that championed AI and depicted an artificial being as a possible messiah (You
can think of it as the anti-Terminator). Finally, there were two terrific hybrid
films which blended sci-fi with other genres.
Infinity Pool
was a riveting dark
comedy/horror/sci film that effectively updated the so called eat the rich genre
(see last year’s
Triangle of Sadness and this year’s
Saltburn), and the sci-fi/
romantic dramady, Poor Things gave us a splendid update on Mary Shelley’s
Frankenstein story which turned it into into a wickedly funny and addictively
watchable tale of female emancipation (look for a full review in the future). I
also had a great time seeing The Wrath of Becky’ R, a wonderful gleefully
violent revenge flick with no redeeming social content (it’s this year’s Violent
Night)
The year also gave us some terrific music docs such as Little Richard: I Am
Everything about the great rock icon, Jellyroll which examines a
self-destructive rapper turned country star and the moving American Symphony,
about the award winning former Tonight Show musical director, and orchestral
jazz musician, Jon Batiste who at the peak of his success had to deal with his
wife’s life threatening illness.
This was a highly competitive year for the Best Film choice so it was a
particularly difficult year to make a Top Ten list. Almost every great director
in the film industry made a film this year including Martin Scorsese, Hayoa Miyazaki,
David Fincher, Sofia Coppola, Todd Haynes, Kelly Reichardt, Greta Gerwig,
Michael Mann, Wes Anderson, Aki Kaurismaki, Paul Schrader, Wim Wenders, Justine
Trier, and Ali Alister. Luckily the films by Martin Scorsese (Killers of the Flower Moon and
Personality Crisis), Wes Anderson (Asteroid City) and Alexander
Payne (The Holdovers) were not their best films and the newest movies by Denis Villeneuve (the second Dune), Francis Ford Coppola (Megalopolis), and Ethan Coen
(Drive Away Dolls) won’t come out until next year, and I didn’t get a chance to
see Michael Mann’s Ferrari or American Fiction or Zone of Interest yet, which
makes the choices a little bit easier.
But bumping
The
Killer down from the Top Ten because of the last-minute addition
of Poor Things was still particularly painful and in a worse year would have
made my top ten or even top five but the open-ended ending which failed to give
me a feeling of closure worked against it a bit. Also, it was blown away by the
originality of Poor Things both in terms of story and visuals and I found the
charisma and charm of Emma Stone who is in top form completely irresistible.
I’m going by the official wide release dates in Chicago, so the film had to open
here in 2023 to make the list. If a film screened earlier for a few days in New
York or California (like Wim Wender’s new film) but it won’t open in Chicago
until 2024, then it might be on next year’s list. This explains why
Living, R.M.N.
and Quiet Girl are here, but the newest film by Wim Wenders (Perfect Days) is
not.
Now without further ado here are my best films of the year list. At some point a
much longer list may appear on my
www.artinterviews.org
website.
|
1)
Past Lives
Director-Celine Song
A fairly modern woman in Seoul who grows up with an
ultra-traditional Korean male friend but through circumstances
they are separated. She meets up with him after many years of
separation and serves as his guide when he comes for a visit
after she has gotten married. All their scenes together suggest
unrealized passion and desire and she is torn between him and
her modern American husband. The film may make you think about
the choices you have made and how your life could have turned
out differently if you had chosen another path. Director, Cindy
Song’s beautifully nuanced screenplay is exceptional and she is
the most promising new talent to emerge this year. In Korean
with English subtitles and English. Streaming on You tube,
Google play, Vudu, Viki and Apple TV.
|
2)
Oppenheimer
Director-Christopher Nolan
Unforgettable and powerful epic biopic with an outstanding
performance by Gillian Murphy (who bears no resemblance to his
character in Peaky Blinders) is about a brilliant scientist who
arguably saved the country during WW II who lives to see his
name and rep besmirched. Robert Downey Jr. (finally finding a
role worthy of his talent) is completely magnetic playing the
villain, a great opportunistic cad and consummate evil
politician. The film is also a great achievement in terms of
acting, direction, and cinematography and many will no doubt
watch it and study it for many years. But this beautiful
cinematic artwork (which was released in an exclusive
70-millimeter deal) demands to be seen on a high-resolution big
screen, and it would be a greatly diminished thing on the small
screen. In any other year this would be the number one film. Streaming on You Tube, Google
play, Amazon Prime and Apple TV.
|
3)
Poor Things
Director-Yorgos
Lanthimos
Fantasy oriented feminist film is kind is like an update on Bride of
Frankenstein in which the doctor and Dr. Frankenstein figure are the
same person. and places the female monster who is probably the most
human character goes on a fascinating path to self-discovery. Also, the
film, which contains some of the best acting, costumes and visually
inventive cinematography (it is shot on 16-millimeter film on a
30-millimeter camera framing some shots that look like old pictures).
Emma Stone works perfectly with Yorgos Lanthimos (they also worked
together on
The Favorite)
in
one of the best recurring director/actor teams in all of cinema, and she
gives what may be her best performance. The film looks as good as
Barbie
and it is twice as smart and more understanding of human nature. A tasty
delight from start to finish, this gloriously bawdy and odd hard to
classify film with a steampunk setting lingers in your imagination like
a vivid fever dream. At press time this was playing at theatres.
|
4) R.M.N.
Director-Cristian Mungiu
This bleak and downbeat drama about several immigrants that are
persecuted by the nativists in Transylvania arrives at a
universal truth that could not have been timelier now that a new
wave of Venezuelan migrants is arriving in the US. Another
winner from the best film maker to emerge from the Romanian New
Wave, Chris Mingiu (see 4 Months 3 Weeks and 2 Days) In Romanian
with English subtitles. Streaming on You Tube, Google play,
Vudu, Viki and Apple TV. Streaming on AMC, You tube, Sling,
Google play, and Vudu.
|
5)
Living
Director- Oliver Hermanus
Bill Nighy deservedly got a well-deserved best actor Oscar nom
last year, but sadly few have seen this fine drama about a dying
man who finds a purpose in his last days and it remains obscure.
But this magnificently acted, character-driven drama does an
excellent job of attacking the callousness of the corporate
mindset, and it almost parodies government absurdity as well as
Brazil or The Metamorphosis which it resembles. Streaming on
Netflix, YouTube, Google play, Vudu, Amazon Prime, and Netflix.
|
6)
Little Richard: I am Everything
Director-Lisa Cortes
Fine documentary captures the contradictory nature of
one of rock’s greatest figures who alternated between
periods of debauchery and ultra-right-wing religiosity.
This also delves a bit more into his status as a gay
icon than previous films that spotlighted him, and it
includes some of the best rock music clips (including
the classic clip from The Girl Can’t Help It) ever . It
also shows he was not only one of rock’s earlier
performers, but also one of its best. Available on DVD
and streaming on MAX, YouTube, Google play, and Vudu.
|
7)
Fallen Leaves
Director-Aki Kaurismäki
This deadpan Finnish film’s characters and setting are so different from what we
see in American films it almost seems to take place on another planet. It’s all
about a woman who was fired from her low-level grocery job for taking home
expired food who goes on a date with a man fired from his job for drinking, but
the piece of paper that she wrote her number on is lost in the wind. Whether
they will and should pursue a relationship is the film’s central dilemma. The
film does a convincing job at depicting the hopeless day-to-day existence in a
terrible, economically challenged town, Helsinki, with has few job prospects and
seems frozen in time. Although it starts out dreary the films ends up
surprisingly warm hearted and with its classic film references (a zombie film is
compared to Bresson) the film should appeal to cinema aficionados as well as
romantics. This film has been included in this year’s Oscar shortlist for Best
International Film. In Finnish with English subtitles. It is on this year’s list
of Streaming on MUBI
|
8)
The Quiet Girl (An Cailín Ciúin)
Director-Colm Bairéad
During a difficult period for her family a young girl must leave
her mom to temporarily stay with her aunt and uncle. Initially
the aunt is kindly and the uncle resents her. This slowly and
perfectly builds to the most emotionally satisfying climax of
the year. In Gaelic with English sub-tiles. Streaming on Amazon
Prime, Paramount, YouTube, Sling, Philo GooglePlay, Vudu, and
Amazon Prime.
|
9)
Infinity Pool
Director-Brandon Cronenberg
In an elite resort in a faraway country a man accidentally runs
someone over and is sentenced to death. To get around the
verdict, the city executes his clone to save face in public, and
people begin to purposely commit crimes so that they can be
entertained by seeing their own clones killed. The young and
underrated English actress, Mia Goth (who so far has been
associated with genre films) of the "X" series, shows once again why she is one of the most impressive
rising stars in Hollywood, and director Brandon Cronenberg shows
he inherited some of his dad’s (Dave Cronenberg) talent.
Streaming on Hulu, YouTube, Google Play, Vudu, Redbox and Amazon
Prime.
|
10)
My Year of Dicks
Director-Sara Gunnarsdottir
TMy Year with Dicks- A teen girl decides to lose her virginity and she meets a
bunch of prospective lovers that fail to please her. Each entertaining vignette
in this short film depicts a story of one of the males in a different animation
style. Available online.
|
Honorable Mentions (#11-25)
11)
Suzame, Elegant and emotionally resonant animated tale
from Japan about a teen girl who accepts her role as a
nature goddess in order prevents an earthquake which has its
origins in a giant mystical worm. Dubbed in English or in
Japanese with English sub-tiles. From Makoto Shinkai, the
creator/director of the similar
Weathering with You, and
this one’s another winner. Streaming on Amazon Prime and Crunchyroll.
12) The Boy and his Heron, A boy whose mom died during his
birth travels to another realm with a talking heron to bring
his mom (or a version of him) to this reality. This draws
heavily from the early real life of the animation genius, Hayao Miyazaki. This was supposed to be his last film but
now he might do some more. Dubbed or in Japanese with
English sub-tiles. At press time this was playing at
theatres
13)
The
Killer, Michael Fassbender does a magnificent job
portraying a trained assassin who makes a crucial error in
one of his hits. David Fincher’s film which is one of his
best directorial efforts (and this is the guy who gave us
the near classics, Fight Club,
Zodiac, and Seven)
is told in
first person (like the Punisher War Zone comic) and takes us
deep into the mind of an amoral killer plus shows us his
bleak, dark world. Wonderful and riveting film was based on
a French graphic novel. Streaming on Netflix.
14) Tori and Lokita This heart breaking and timely Belgium
film depicts two poor orphan kids who work as low-level
criminal and struggle to live in a daily basis. In French
with English sub-titles
15) Blackberry, This excellent Social Network like fact-based
drama depicts how some idealistic anti-social misfits helped
by a ruthless business type ended up getting one of the best
and most successful recent inventions off the ground.
Streaming on AMC, YouTube, Slight TV, Amazon Prime, Google
play, Vudu, and Amazon Prime.
16)
Saltburn,
Well acted and beautifully shot second film by
actress/director Emerald (Promising Young Woman) Fennell
concerns a poor young man is taken in by his rich friend’s
family who mistreat him at the same time they help him. They
are the most entertaining and eccentric wealthy families on
this side of The Royal Tenenbaums and Rosamund Pike gives
one of the best supporting performances of the year.
Streaming on Amazon Prime.
17)
Fremont,
In this modestly budgeted but winning film, a
young Afghan immigrant gets a job in a small Western town as
a fortune writer for a Chinese restaurant. The small town
here is so longingly and convincingly depicted that it is
almost like a human character. The only familiar face
(Jeremy Alan White from the Chicago based show, The Bear)
has a very short but marvelous scene. Streaming on You tube,
Google play, and Amazon Prime.
18) The Cow Who Sang into The Future, Weirdly wonderful
Magical Realist film about a Chilean town in which cows sing
songs (without moving their lips) in which they predict the
future and the dead rise when they are needed to help the
living. In Spanish with English sub-titles. Streaming on
YouTube, Google play, Amazon Prime, Vudu, and MAX.
19)
Showing Up, Kelly Reichardt (The Cow) teams up again
with Michelle Williams who stars as a struggling artist with
an eccentric family who probably is not good enough to
become successful in her trade. In this first-rate example
of slow cinema every little event takes on big significance.
Streaming on Showtime, YouTube, Hulu, Fubo, Sling TV, Amazon
Prime, Paramount, and Vudu.
20) Polite Society, In this totally fresh genre blending
tale a young girl who is an aspiring stunt women finds out
some terrible things about her future mother-in-law so she
tries to prevent her sister’s wedding. The year’s best
surreal English Indian kung fu wedding comedy contains many
of the year’s most creative fantasy action sequences, and it
achieves much of what
The Marvels and Ms. Marvel (although
it wasn’t bad) tried to do much better. Streaming on
Peacock.
21)
Are You There God? It’s Me Margaret,
Very effective Catholic coming
of age film about a teen who struggles to fit in after in a
new town her parents relocate. Based on the funny, touching
young adult novel, this is like the best after school special
but about you’ve never seen. Streaming on Starz, Hulu,
YouTube, Sling TV, Amazon Prime, YouTube, Philo, Google Play
and Vudu.
22)
Anatomy
of a Fall, Film is about a court case involving a woman who
may or may not have killed her author husband. This film
successfully violates many conventions of a court film and
it includes a terrific performance by German actress. The
film shows how negative everyday little scenes or situations
from daily life could seem incriminating when taken out of
context. Sandra Huller which may earn her an Oscar nod for
best actress was also in the critically acclaimed possible
Oscar nominees Zone of Interest. In French with English
sub-titles. Streaming on YouTube, Amazon Prime, YouTube and
Google Play.
23)
Creator,
Marvelous sci-fi action film is kind of like a reverse
Terminator with America attacking benevolent Ai's in Asia
(which also evokes the Viet Nam War). One of the smartest
and timely genre films of the year features a fine
performance by Denzel’s son Washington.
24) Maestro, Bradley Cooper gives a terrific
performance as a brilliant bisexual conductor, Leonard
Bernstein who has to deal with destructive sexual desires
and his loyal wife’s illness. Top notch in every way but
conventional and not particularly transgressive.
25) How to Destroy a Pipeline, Methodical and chilling
tale of a bunch of young eco terrorists staging an event is
top notch and it moves along nicely.
|
|
Vittorio Carli, who teaches at area community colleges and has reviewed films
for The Star and The
Examiner. He is an avid film buff and an author.
His latest book "Tape Worm Salad with Olive Oil for Extra Flavor" is also
available.
You can find more of his writings at.
www.chicagopoetry.org
For more of his reviews including previous Top 10 lists go to
www.artinterviews.org,
www.artinterviews.org/best.
and
www.reelmoviecritic.com
Come to the New Poetry Show on the first Saturday of every month at
Tangible Books in Bridgeport from 7-9 at 3324 South Halsted
January 6-Douglas Binkley, Todd Heldt. Marion Horton, and Christopher ChiRon
Kingfish
February 3-Special City Colleges Themed Show with Christian Cofield, Genesis,
and Jeremy Basso |
|
|
|
|
Images © Copyright 2023 by their respective owners No rights given or
implied by Alternate Reality, Incorporated
Review © 2023 Alternate Reality, Inc.
|
|
|
|
|